[The video starts out showing a shot from a dark corner of the shuttle bay, the device clearly sitting on the floor from the piece of one of the shuttles visible. Nothing really happens for a moment or two, and then the toes of a pair of boots come into frame, Riddick dropping down onto his haunches next to the camera. He lets his hands fall down into the shot, recognisable from the forearm guards over the backs of them. There's another device in his hands. Nothing to really mark it as different from anyone else's, no blood or damage, but those aware of the situation might understand that it's Hotspur's.]You want this, Kirk?
[He flips it over in his fingers.] How about you, Stark, want to get your hands on it?
[Another flip.] Doesn't mean much to me. Maybe I'll leave it out somewhere, see how many rats come scurrying.
[A pause, and he pulls it back to settle in his hand more firmly.]But, see,
something's starting to dig at me on this ship. All the secrets. You all demand answers, but you've got your fancy encryptions. Your
teams. Shouting disclosure, but how much do you and your people know, Kirk? Stark? How much are you keeping to yourselves?
I'm not a team player. Not preaching that we're-all-in-this-together bullshit. But I'm not helping you build your walls.
[He sets Hotspur's device down flat on the floor, taps it.]Files on this trace back to a shuttle, one-four.
Amity, Hotspur called it. Sitting right here in the bay, you want to see for yourself. Black box is gone, but I'm thinking we can say that's on the bridge right now.
[He doesn't say anything about the fact this information ties up with what Ward and Resnik said, proves that - at least on that - they weren't lying. Sometimes he spent far too much time pointing out the obvious to people, but on this one, he's really hoping he doesn't need to. But here's something Ward and Resnik didn't tell everyone:]Lock wasn't broken, the room he was in. No damage except what he did trying to get it open.
Accidents don't happen like that. Who did it?
[There's a smile evident in his voice, dark.] Don't know about you people, but I don't like it when there are big arrows painted out for me. Got a tendency not to follow them. And this arrow's got parts that don't make sense.
[A pause, and any amusement in his voice disappears completely, leaving something more serious] A good man died in that room. Died nasty and messy. You want to pray? Pray you go out a better way. His prayers didn't help him, yours aren't gonna mean shit to him now. You want to
preach? Use his death?
[He's talking to you, whoever hung that picture and poem up in the Oxygen Garden.] There's no room for
martyrs out here.
Really seeing him right is
thinking. Learning. Surviving.
Try it. Maybe some of you will make it out of this.
[He picks Hotspur's device back up and stands. A moment later, the feed cuts.]