011. VIDEO | ACTION
Dante had said, remember tonight! for it is the beginning of always.
What shall we be doing tonight, Tranquility?
[ it is late but not too late and Lucrezia is keen on avoiding nightmares and so sleep is not a Thing. ]
I shall be spending my own in the garden. I never before slept upon grass.
What shall we be doing tonight, Tranquility?
[ it is late but not too late and Lucrezia is keen on avoiding nightmares and so sleep is not a Thing. ]
I shall be spending my own in the garden. I never before slept upon grass.
» action;
[ because he really didn't take much time at all. She rises, all gold and silks, hurries to greet him with an elegant curtsy. ]
Indeed. Yet I must insist on 'Lucrezia'.
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[He made a little bit of a face, seeming to waver on the spot, at being old he'd come quickly; perhaps it seemed too eager? But, well... books. And meeting a historical figure.
Nonetheless, as was his norm, he went a little red and bowed his head. Both in greeting to her curtsy and out of sheepishness.]
Lucrezia, then. It... is a pleasure.
I took the liberty of bringing Dante, and one tragedy in French. I hope you don't mind the extra burden to carry back with you?
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[He agreed, before clumsily offering an arm to her, having forgotten for a moment that he ought to. He shifted the books to the other so it was possible.]
I admit that I have. It is about war and hope, individuals and armies. A topic that seems to be relevant across times and cultures. The desire for change, and the imagination that only violence can bring it about. I'm sorry, though; tell me if I offend you by bringing such things to mind. They can be moving, but also harrowing.
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No. Tell me more. Which war is it? who fights who and what do they hope for? I will hear more of it.
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You have a wonderful curiosity. [Complimented, with a small smile.] It is an epic, having taken thirty years to write-- more years than we have taken so far to write ourselves. It is a tragi-comedy, which retells the religious wars of the seventeenth century, stripping them of the beauty and majesty poets of the eighteen century lent them and showing the lives of soldiers and martyrs starkly, instead. There are a number of battles, and philosophy in between their recounts. The Europeans fight each other, and they all hope for God I would say.
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[ she frowns at him; she knows of Islam and she knows of the Jews but there are no wars. Still, the seventeenth century is so well beyond her, and she knows much can change. ]
Who fought who?
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[Undoubtedly, it would sound like a fiction to someone from before it, as much of the 'modern' literature on board did to him.]
Shortly, the whole of Europe fought itself. There was the Thirty Year's War, begun between Protestants and Catholics in the Holy Roman Empire.
Then it became rather political, with the influence of France. But the religious issues were not quite solved, one might say.
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I'm so sorry that he's walking wordspam!
Lastly, and I am sorry if it shocks you-- they do not think the Pope the Vicar of Christ, nor grant him the powers of ex cathedra.
[He would feel badly for rambling, likely, just as soon as he noticed he was. But as religion was another favourite topic of his, believing in over fourty himself... well. Er.]
hush he's lovely
[ and it shocks her, it does. that the holy mother church had split so, that some do not believe in purgatory, then what is left? heaven and hell and where would Lucrezia be in that sort of choice? where would all the Borgias be in a world that does not know the Holy Father? ]
<3
[He agreed, lightly, not wishing to offend. As someone who believed in the possible co-existence of all religions, over fourty in number, he didn't very much ascribe to heresy as an idea.]
And due to that, of course, there was no reconciliation of these interpretations, and there was a long war.
I hope I have not shocked you out of sorts, Mademoiselle?
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Is there such a thing as a winner, in a war? I wonder.
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[He gave, softly, biting his lip briefly before shaking his head.]
I hope it is not unmanly to say so. Men ought to be the ones to fight, so that women and children may reap the winning soonest. But I fear they often suffer the most.
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[ and who knows better than Lucrezia Borgia? ]
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Women fight at all times, certainly. And some men do as well. What of you? Are you a warrior?
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But his smile flickers just barely at the question, growing calmer.]
A warrior, no. A poet. But sometimes poets, like women, must fight with arms and not words.
I was a revolutionary, Mademoiselle Lucrezia. In France, of 1832. So a soldier for a breath in time, but perhaps no warrior.
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[ 1832 sounds like ages and ages away but she cranes her head to look at him. ]
Against the French King?
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Then, I will write one especially for you. But I cannot promise any greatness.
[A slow nod.]
So to speak. A 'democratically elected' Monarch; yes. Against the French King.
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It would be an honor and a greatness in its own right, to have a poem for myself. The first one written for me.
[ she thinks of it. ]
In my days, the French King is known to be very cruel.
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[A famous beauty and political symbol? There must be quite a bit, he thinks.
To her kindness, he inclined his head.]
It would seem that French kings have an unnatural and horrible talent for cruelty, ignorance, and imperialism that does not match the hearts nor minds of the French peoples. I hope you have not been a target of such cruelties.
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[ she hums in thought, looks up at him. ]
Not I but he is certainly a threat on us all if he ever leaves France. He is His Majesty King Charles VIII, signore, whom I am certain you have heard of.
I am the latest, so sorry!
it's alright! :>
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