robb "footloose and fancy free" stark (
northerner) wrote in
ataraxion2012-04-29 04:29 pm
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Entry tags:
- alayne stone,
- asa ridley,
- bran stark,
- castiel,
- charles xavier,
- dirk strider,
- erik lehnsherr,
- hallah "aberdeen" tawse,
- jenna sommers,
- john watson,
- mattie ross,
- nepeta leijon,
- raven darkholme,
- remus lupin,
- richard b. riddick,
- robb stark,
- sherlock holmes,
- sirius black,
- taylor "tyke" kee,
- tommy conlon,
- tony stark
002 -- video;
[ robb's face is like stone, his voice like ice, and the mask of kingship just barely hides the undercurrent of fury in his voice. in his tone there dwells bared teeth, raised hackles, all just barely contained. for all the kingly restraint, the viciousness of it shines through. ]
There is a man upon this vessel named Magneto, who has done a great harm to my brother's companion, a lady named Alayne Stone. I call upon you to present yourself to answer for your crime, ser, and save me the task of hunting you down.
[ there is a moment's pause, as if he would say more but thinks better of it, and then disconnects. ]
There is a man upon this vessel named Magneto, who has done a great harm to my brother's companion, a lady named Alayne Stone. I call upon you to present yourself to answer for your crime, ser, and save me the task of hunting you down.
[ there is a moment's pause, as if he would say more but thinks better of it, and then disconnects. ]
no subject
I'm not anything to her, so I can't tell you to stay away. [ But, his expression adds, you should stay away. ]
PRIVATE COMM-to-COMM MESSAGE | off network
There is part of her that is gladdened to see others willing to speak for Magneto's innocence, though there is another part of her that bristles like animal (hackles raised) whenever she hears his voice. She has chosen to remain silent because her voice is not meant for this debate and any appeals she makes either for or against would undercut the kingliness of Robb's claim. But at Tommy's words, she cannot stay silent, though her message is not meant for the eyes of others. Instead of responding, she sends a note to his communicator direct. His inbox pings. ONE NEW MESSAGE. It reads: ]
Tommy-
I have heard your voice over the speaking box.
And I have heard the things it says.
But you must not say such things.
For such things are false.
Please.
You are not nothing.
Yours,
Alayne Stone.
COMM-to-COMM MESSAGE
It was a relief to hear that Alayne had survived, that medical help must have reached her in time or that her pop was worrying too much about an injury that wasn't so bad, like fathers are theoretically supposed to do. But actually hearing from her is a relief in its own way because it means he doesn't have to spend the rest of his life thinking hard about whether there was something better he could've said than Sorry.
There's a long pause before he sends back a reply. It takes him a while, this time, to think of what he wants to say. ]
i only meant youve got family to speak for you
and you can make up your own mind if you want to see him
you dont need me doing that for you
its good youre okay
COMM-to-COMM MESSAGE
The impulse is to confess to him, to tell Tommy no, again you are wrong; I am not all right. Perhaps if she did he would come to her and protect her, embrace her out of pity or loyalty or sentiment, and give her space to be less than strong. But that is a child's weakness and Alayne Stone is not a child.
At length:
Tommy-
It is true, I've family here.
As well as a mind and a voice with which to give its thought breath.
But, in truth, I would have you speak for me, readily.
Were you to give yourself credit enough to accept.
Yours,
Alayne Stone.
COMM-to-COMM MESSAGE
But the other part's more obviously good. He's glad she's not angry at him for stepping in. He didn't even think about whether she would be or not until that first message showed up on his comm. ]
you ever need help or anything, you call me
[ It's not actually an order, but Tommy feels stupid attaching something like "okay?" at the end. She will or she won't and either way, he'll do what he can to make it so she doesn't have to. ]
COMM-to-COMM MESSAGE
I am no liege lord, she should say. To pledge to me would be a waste of a good knight.
But that is not what Alayne says (for Alayne is selfish and frightened and still the promise of not needing to brave is an allurement to her weary heart). ]
Tommy-
You say that I should call you, if ever I am in need.
Is it to be a summons?
In this, do you offer me your banner?
Yours,
Alayne Stone.
COMM-to-COMM MESSAGE
what do you mean
COMM-to-COMM MESSAGE
Tommy-
Those that swear loyalty to a lord offer him their banner.
It is a pledge, until death, that they will act in preservation of their lord's name
and their lord's person, and cause.
But I am no lord,
not even a lady by rights,
even though my father is Lord Protector of the Vale.
So perhaps I misspeak in asking,
for a such an oath is not my right to hold.
Though know, were you to offer, I would accept it.
For whatever meager worth it has,
my trust is yours.
Yours,
Alayne Stone
COMM-to-COMM MESSAGE
But it's Alayne asking, and he's impressed, a bit, that she's got this much spine still after what happened. ]
not sure how much my oath is worth anyway
but between you and me i can promise
COMM-to-COMM MESSAGE
Again there is that sense of undeserving, an impulse that keeps her from switching on the device to send him a message that bears not only her voice but her face. She is pale, almost bloodless looking compared to her usually pink-cheeked complexion and the light that normally would dance in Alayne's eyes is dulled and flat, as if seen through the muddied screen of her own suffering. Some effort has been made to make her presentable. Her hair, brunt brown and loose, has been brushed in an attempt to tame it though the fact that she wears it down now makes Alayne look younger than she would normally.
A collar of bruises ring her neck, angry striations from where Magneto had held her high against the bedroom wall and though she makes efforts to hold her cloak closed and hide them, the evidence of them peaks out along the line of her jaw. Purple and mottled and ugly.
She makes no effort to smile, that princess' courtesy gone for the time being. Quietly, carefully (her eyebrows lifting in expectation): ]
Truly— do you swear it?
[ The implication is that this is more than simply a yes, that this is something profound and weighty and that Tommy should not answer unless he is certain. ]
COMM-to-COMM MESSAGE
But he manages after a moment, and he sets his jaw, in a way that looks like stubbornness but mostly just means that he means it. ]
Yeah. I swear it.
COMM-to-COMM MESSAGE
It is a far cry any real smile — the edges of it are too uncertain, her eyes are too wet, and her lips waver as if she's to burst into weeping at any moment — but in its way, the smile is brave (just as, in her way, Alayne is brave too). As a child, Sansa had understood the meaning of banners to be something about status and lordliness; but here, with Tommy, Alayne sees them differently, as if somehow his pledge has illuminated something deeply buried. Something about loyalty and faith, something about care.. It is, in that respect, a gift greater than arms. It is proof that or hope (as foolish as hope may be) that perhaps, perhaps Sansa hadn't been so foolish.
(Perhaps men can be good. And in that goodness, live.) ]
And— [ she struggles, swallowing down the tears she feels rising there in her throat. ] And as your liege lady, I swear to you, Tommy. If ever you are wronged, I will do all in my power to set it to rights.
[ She swallows and tastes an edge of anxiousness. Bastards are not to be given banners, but Alayne's willfulness (her neediness) refuses to turn Tommy away. Would Petyr punish her for such hubris? Would he count this oath to be a misstep? ] I swear— in the Light of the Seven, in the shadow of the great weirwood. Before the old gods and the new.
I will not squander your fealty.
COMM-to-COMM MESSAGE
He nods at her in a way that doesn't look any more solemn than usual but then, Tommy's usual is pretty solemn already.
It's a good promise -- to watch out for each, to have each other's backs -- and Tommy tries to ignore the feeling that says maybe he shouldn't have made it because he might just let her down again because it's still a good promise. ]
That means if you need me, you call. I'll do what I can.
COMM-to-COMM MESSAGE
Again, Alayne nods, more carefully and when she speaks the words are not her but his (an attempt to speak as he speaks, so that the oath is made on terms that both can embrace and understand. ] It means— [ Alayne recites the words with an uncertain delicateness. ] —if you need me, you also— call. And yes— the Starks, my father and House Baelish, we shall all— [ She clears her throat. ] —'do what we can'.
COMM-to-COMM MESSAGE
It's a deal then. [ It may not be as poetic as swearing in the Light of the Seven or by the gods, but it has as much meaning for Tommy. He trusts himself to keep a promise a lot more than he trusts God to. ]
COMM-to-COMM MESSAGE
Delicately, she nods, though the gesture makes her necklace of bruises aches and so Alayne flinches, whatever poise she may have garnered on his behalf flickering and then sputtering out. ]
Have— [ Another wince, then she lowers her voice. ] Have you a sigil?
COMM-to-COMM MESSAGE
It takes a moment, though, because it's not like he's got a sigil right on hand. The eagle, globe and anchor's not his to wear anymore; it wouldn't feel right. There might even be something way back for the Conlon family, but he's not sure he's ready to wear that. So in the end, he goes with the only symbol he can think of that still means anything to him. ]
We got this one back home. Lot of people wear it. Three diamonds with a circle 'round it.
no subject
Are you sure you're nothing to her? [ For a moment it's Erik defending himself, and now the conversation's segued towards Tommy instead. It's how Erik works, revealing bits of himself over everything else. ] Asking me if I had the guts to defend myself certainly implies otherwise.
no subject
So while the anger isn't gone, it sounds, for a moment, more sullen than anything else: ]
Doesn't mean I don't care what happens to her. [ Which was probably obvious at this point. ]
no subject
No, you don't. It's a good thing I have no intention of hurting her. [ Because he knows a threat when he sees one. ]