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( 001 ❱❱ VIDEO )
[The device clicks on the video recorder to reveal a pale man, tired but fully aware. There's always a sense of restlessness and a weight in his eyes that not even the technology of this ship could rid him of, but his current situation doesn't quite invite a lighthearted mood to begin with, does it.
He's been lost, confused for someone else, drifted away from the crowds and dealt with a headache he couldn't control, all the while trying to place a name on the idea that there was someone he was missing. Several hours later Bass has checked the network and tried to use his abilities to make sense of this situation and find out what happened to that someone -- Bonnie.
The tone is deliberately careful and his sentences slow.]
I need to know why we're here. The prophet couldn't do this. The sulfurs couldn't do this, either. [Way too fucking elaborate for a problem that could've been solved by just shooting him in the head.] So I need to know what you want, and I need to know what you did to my sister.
More importantly, I need to know that she's okay. [A beat. Suddenly he doesn't sound so careful anymore, tension growing in his voice.] Because if she's not, you're going to be in very, very deep shit.
[Silence. Having said that, Bass takes on a new expression, brows knitting only slightly, message carrying a much more personal purpose.]
Bonnie, if you can see this -- just say something. [She should know what he means: Call for me, even if it's just in your thoughts.] I'll find you.
[Click.]
He's been lost, confused for someone else, drifted away from the crowds and dealt with a headache he couldn't control, all the while trying to place a name on the idea that there was someone he was missing. Several hours later Bass has checked the network and tried to use his abilities to make sense of this situation and find out what happened to that someone -- Bonnie.
The tone is deliberately careful and his sentences slow.]
I need to know why we're here. The prophet couldn't do this. The sulfurs couldn't do this, either. [Way too fucking elaborate for a problem that could've been solved by just shooting him in the head.] So I need to know what you want, and I need to know what you did to my sister.
More importantly, I need to know that she's okay. [A beat. Suddenly he doesn't sound so careful anymore, tension growing in his voice.] Because if she's not, you're going to be in very, very deep shit.
[Silence. Having said that, Bass takes on a new expression, brows knitting only slightly, message carrying a much more personal purpose.]
Bonnie, if you can see this -- just say something. [She should know what he means: Call for me, even if it's just in your thoughts.] I'll find you.
[Click.]
[ ooc: Please fill these permissions for future interactions! GRACIAS. ]
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MAKING A NOTE TO SELF TO PUNCH YOU IN THE FACE SOMETIME SOON ]
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MEAN]
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I can't find her. They wouldn't have taken me alone.
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[Half-sister.]
I'm supposed to protect her.
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Because she's more valuable than I am. They wouldn't leave her behind.
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There's a lot of disoriented people around right now. I'm sure wherever your sister is, she's okay. Do you need some help looking?
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[Neither a yes nor a no. He's nowhere near predisposed to trust anyone, but... they can still be useful.]
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Offer's there if you need it.
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[He's open and honest about that because what's the point pretending like it's some big secret? They all have these numbers tattooed into their arms now. He figures it's because someone somewhere has a list of all these IDs.]
Have you tried asking around to see if anybody's got a roster of who has what ID number?
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You know what. He's going to go find something to drink now. And maybe something to punch.]
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Still, something poignant stirs in Alayne's chest and so she answers, her expression pinched with the suggestion of worry. Sympathy for a stranger is unwise, but she cannot quel it (nor does she want to).
Alayne does not recognize the name Bonnie, but: ] Your sister's looks— Does she resemble you? Does she share your coloring?
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... Yeah. [He nods, almost absentmindedly.] Black hair, long. Big blue eyes. Southern accent.
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And is she young, a child still? Or is she older? Older than I?
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[Something changes in his eyes then, a subtle spark of focus that brings him back to the conversation.]
Are you a prisoner?
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[ His question startles her. ]
A— prisoner? No, no.
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