Entry tags:
voice;
[As per usual, 'to the point' is the name of the game:]
Scuttlebutt travels fast so I'm not going to bother with the 'Good news, everyone, we're all alive' part, but I will follow up on my previous report. Fifteen minutes prior to the jump, the doors on the bridge opened on their own and the words 'time to go' in red appeared over the door. From what I can determine, the message was apparently visible to all sixteen people present at the time.
I can't say if Smiley was responsible for sealing us on the bridge in the first place, but I suspect it was involved with getting us out. If the hallucinations are something triggered by the nanotech [--because that seems more likely than everyone going the same kind of crazy at the same time, current anomalies included--], it seems like a given that the two are somehow networked. I can't speak for everyone else, but the appearance of the writing was consistent with some of the other things I saw while on the bridge.
[A beat.]
If anyone has additional information on Smiley that isn't readily available on the comm, I'd appreciate a debrief.
Scuttlebutt travels fast so I'm not going to bother with the 'Good news, everyone, we're all alive' part, but I will follow up on my previous report. Fifteen minutes prior to the jump, the doors on the bridge opened on their own and the words 'time to go' in red appeared over the door. From what I can determine, the message was apparently visible to all sixteen people present at the time.
I can't say if Smiley was responsible for sealing us on the bridge in the first place, but I suspect it was involved with getting us out. If the hallucinations are something triggered by the nanotech [--because that seems more likely than everyone going the same kind of crazy at the same time, current anomalies included--], it seems like a given that the two are somehow networked. I can't speak for everyone else, but the appearance of the writing was consistent with some of the other things I saw while on the bridge.
[A beat.]
If anyone has additional information on Smiley that isn't readily available on the comm, I'd appreciate a debrief.

no subject
[ This seems relevant. ]
no subject
Someone or something - personally, my money's on a rogue AI. It spends a lot of time being cryptic and jerking people around on the comm.
no subject
Can't you just run an antivirus and be done with it?
no subject
Unfortunately, I don't think we have administrative privileges on the network.
no subject
[ Or make a deal with it, Katherine is definitely making a deal with it. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
voice;
If I might offer some advice, it can be easy to start connecting dots in all sorts of ways. While the paintings and the text were very clearly linked, I don't think there's any reason to connect them with the aging of the bridge around us.
The nanotechnology and the message, though--I think they are linked. Inexorably.
no subject
[And that's enough theorizing on that point, because does she look like an expert in quantum mechanics?]
I'm also not prepared to say Smiley is helping us or that it didn't have something to do with sealing us on the bridge in the first place, but it did get the doors open.
no subject
[ And there's the room that he'd been told about elsewhere: the Forever room. Nathan knows a great deal about the ship now, but only half of it is anything he dares to say out loud. ]
The 'rescue' closely describes what happened to those who visited the Strela outpost. A message from Smiley, and an open door that wasn't an open door before. The way it's been described to me, that message probably didn't exist above the door; it was as much a hallucination as the paintings.
They're what we needed to see when we were in there. Those paintings, as awful as they are, are the only other 'help' we were being offered. I don't believe the intention was to unhinge us. It clearly could have done a great deal worse.
no subject
[Though she's about as ready to suggest that Smiley is benign (or positive) as she is to shoot herself in the foot.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
text. private.
Why were you trapped on the bridge?
text, talilock aka super encryption thx tali;
[And almost died for the sake of jack shit, but hey who's counting.]
text, talilock aka tali is the best
no subject
(no subject)
(no subject)
action!
(no subject)
(no subject)
(no subject)
voice;
Voice;
Voice;
[ she is trying not to be too alarmed by the sound of that. ]
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
voice »
[ jenna hates smiley, news at eleven. ]
You can't get screwed with if you don't let him talk to you.
voice;
voice;
no subject
(no subject)
wow thanks so much dw
audio
voice;
no subject
[He breaks off with a grunt.] About a year and a half ago we stopped on a station and got off to get supplies. Everybody was weird, man, like "Invasion a'the Body Snatchers" weird, right? Just walking around like zombies.
I got copped and thrown in a cell, and they start doing this thing, don't ask me what but it felt like they were crushin' my freakin' head. You couldn't even pass out.
Dunno how long I was there, but when the pain stopped there were red words written on the wall and the door was open a crack, so I got the hell outta there. Busted up a couple heads on the way.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)